Visimag home page
About Us
Cult Times
Film Review
Movie Idols
TV Zone
Ultimate DVD
Shopping Info
Film Byte Archive
VI jobs - The UK's Biggest Video Store

for your own topics
Go to USA site Readers in USA click here

Go to UK/World siteElsewhere click here

Image copyright: see contents page of each issue. All other material © Visual Imagination 1998 - 2004
Welcome to

Go to main Exclusives page

Look out for more coverage of
Kill Bill, Volume 2 in our magazines

THE MOVIE: Kill Bill, Volume 2

Uma Thurman • David Carradine
DIRECTOR: Quentin Tarantino

Kill Bill, Volume 2 THE CONCEPT:
Part two of Quentin Tarantino’s successful revenge tale – when The Bride (Thurman) finally kills Bill, her former boss and lover, and the man responsible for massacring everyone at her wedding.

U.S. RELEASE: April 16 2004, Nationwide • Rated: R


What is your perspective on women and violence? UMA THURMAN:
“The scope of the journey my character goes through in Kill Bill, you wouldn’t blink if you saw Mad Max or Clint Eastwood in this position. It’s a revenge story, so it’s about someone being victimized essentially, who yes, was a former professional assassin. Someone being victimized who then claws her way back from the dead and seeks to avenge herself. It’s a very familiar story. What is different is that the person taking the beating and coming back for more fearlessly is a woman and not a man.”

Did you and Quentin have a sense of impatience to conclude the story? THURMAN:
“I know that he was working so hard to get this film out at this time. He’s captain of unrealistic timeline goal expectations. He’s been working day and night between mixing and cutting, and all of the incredible detail that goes into finishing a movie. I didn’t feel urgency. I gave in any relationship to urgency a long time ago, because we shot this movie for two days and were told we were a week behind schedule! So it broke me down of all expectations of gratification. All that was gone for me a long time ago. Instead, I feel sort of strange that it’s upon me, that this is actually going to be finished, because it’s taken so long.”

How did you balance the level of camp in it? THURMAN:
“Usually you watch a movie and the director establishes the tone in the first two or three scenes, and they never shake you, they never break that reality. But one of the wild things about Quentin is that he refuses to do that. He refuses being leashed to a specific tone. Instead, what he really likes to do is the really scary business of tone shifting dramatically in moments, and going from scary violence to absurdist violence to a real emotional moment, and then making fun of it the next second. So you have to be trusting and very agile to keep up, and hope if it falls flat he won’t use it. So you have to be brave about it and assume that he has what he does have, which is skill.”

Did you have any sympathy for Bill? THURMAN:
“One of the things that really niggled me when I first read the script was I wasn’t really convinced that I wanted just to kill Bill. I think it was dramatically complicated by the presence of the child obviously. I worried that if there was ambivalence about killing Bill, would that kill the movie? Ultimately, in playing the moment, I found that there was room for all those things. There was room for ambivalence, heartbreak and revenge. There was room for, ‘Goodbye Bill.’”

Written by Judy Sloane. Back to top

Visit the official Kill Bill, Volume 2 site
Images above © Miramax Pictures
Feature © 2004 Visual Imagination.
Not for reproduction.

Film Review, #643, May 2004 cover

Keep up with the latest movie news, reviews and features with every issue of Film Review and Film Review Special

Film Review, Girl Power Special 2004 cover

Stores Info

You can order any of our magazines via this
secure service.

FILM REVIEW, use these
links to our stores:

Jump to UK £ subscription page
UK/World subs
Jump to US $ subscription page
USA $ subs logo